Wednesday, 23 August 2017

The benefit of taking a break from positivity

The benefits of taking a break from positivity

It's ironic that today's post is about unsubscribing from newsletters, Facebook, blog sites, websites, writer groups, etc but at the risk of alienating people, I don't want to lose you of course, but I wanted to share why I've done exactly this.

There is too much positivity that it's becoming fake.

I signed up to newsletters to help me become a better writer, to help me promote my works, to help! help! help! I'm drowning in help. All of it is positive, yet all of it is fake. Nobody really wants to help. They want to make money from helping.

I joined a few Facebook groups to connect with other authors - successful authors - who've done it all before and they're happy to share their experiences. However, these groups quickly became damaging rather than helpful.

1. First of all, their fake coyness became infuriating. It became clear it was a marketing strategy that I don't care for.

2. Most of their posts turned into bragging rights. A number one here, a best seller there, 12,000 subscribers, thousands of dollars earned this month. Yes, we can all do this. Except that we're not.

3. Lastly, and perhaps the most damaging of all, we authors are becoming addicted to gambling on a promise. So many promotion sites are offering the world, and we're buying it. If the promotion works, the site takes the credit. If it fails it's the author's fault - book cover sucks, blurb sucks, you chose the wrong promotion.

I need to take a break from all this (fake) positivity.

How I maintain my positivity

I believe that true positivity comes from within. It should not be forced in from the outside. I find that too many conflicting opinions impact the positivity living inside me. So these are some of the things I do to maintain my true positive wellbeing.

I have a day job. I work in payroll, not because I enjoy paying people, but it keeps my mind active calculating hours and rates and checking legislation and employment contract conditions.

I read books, of course. But reading can be withdrawing, so I'm mindful not to withdraw too much.

My writing gives my mind plenty of action, there's research, promotion, writing blog posts, designing covers, formatting books.

I have a small dog but boy she's got a lot of energy. She loves her morning walks and if I don't take her, she stares at me all day. The truth is, I love to walk her in the morning. There's nobody around. it's our time.

I also eat a balanced diet. Sure I have pizza, chocolate, donuts, and alcohol, but the next day I fill up on salads and fruit and wholegrain sandwiches. I keep it balanced so it doesn't become one more thing to worry about.

My favourite vitamin is Vitamin D. Sunlight, I love being in the sunlight to soak up the goodness of Mother Nature. I often combine reading with sitting in the sun.

I'm not a religious person, but I have values and principals and I make sure I adhere to them. And while I don't know if heaven exists, I live my life as if there is a heaven and I wouldn't want to be barred from entering. It's a simple philosophy.

So it's no promo, no brags, no links on this post

There are no links in this newsletter, no calls to action, no self-promo. This newsletter is just a reminder to take a moment of reflection whenever you feel you need one. Recharge your batteries. Find your positivity. Enjoy your life. We find it easy to take a break from all that negativity, yet sometimes positivity is a wolf in sheep's clothing. Ask what they're really trying to do. What are they selling? And if they're promising something too good to be true, it usually is.

Take care till we next chat.

D L Richardson

Friday, 18 August 2017

How to make a dystopian society - look at current affairs

My husband and I had a lengthy discussion this morning about dual citizenship. Australian politicians are seeking out our leaders who were born overseas, or who have parents or grandparents who were born overseas, and under the 'no dual citizenship' laws are forcing them to renounce their other citizenship.
This political discussion is happening all over the world. There are two parts to this controversial topic, and each form the basis of dystopian or futuristic societies when world building in fiction.
First point:
The act of holding dual passports.
I can see why it's an issue in today's climate. Identity fraud. Hidden bank accounts. Earning income from one country while claiming benefits from another. Terrorism. Economic cheats.
Did you notice the identifier in the above statement for building a dystopian society. In today's climate. Anytime you utter or hear those words, you begin to speculate what might happen if that policy or process continued. Will it cause issues in the future? How will it cause issues? How can you build fear in a populace if it continues?
Building fear in the population is a major factor in dystopian worlds.
Second point:
The intent or lack of intent to hold dual passports.
This second point in this discussion is very philosophical and possibly is the most exciting part of world building. The current debate in Australia is not, does a political leader hold two passports, but could they.
Case example:
I was born in Ireland, I moved to Australia as a baby, my parents became citizens and so did it. This happened over forty years ago. I'm an Australian citizen. As far as I'm concerned, I have no dual citizenship. Admittedly, and while doing nothing illegal, I have the option to leave one Australia and move to Ireland, and by my birthright I can automatically bypass all the other processes for citizenship. I can, provided I depart Australia on my Australian passport,  use my Irish birth certificate to get work or claim benefits, all the while retaining my citizenship to Australia. During this time I suppose I could claim certain welfare benefits nor but it would take a lot of traveling on my part to return to fill out the appropriate forms and I've never claimed benefits before so I wouldn't even know where to begin to wrought this system. But could it be wrought? I suppose it could.
And its this supposition that has led the Australian politicians to conduct a with hunt on all the politicians because if they are to serve our country, they must be solely committed to our country. I understand this. It's like saying, all companies want their workers to be loyal and not leave when the times get tough. Just as all workers want their employers not to sack them when financial times are difficult or technology replaces us or because we're nearing 10 years service and the employer will have to pay long service leave. But that's another component of building a dystopian society. Mistrust of everyone.
While is why whenever I build a dystopian society, I look at current affairs. And here's why I think we are currently in the process of making a very real dystopian society.
Case example:

1. Any man is capable of rape.
2. Any woman is capable of infanticide.
3. Any person can go to their garage and cook up a batch of drugs or build a bomb.
4. Any person can get in their car and commit road rage.
These are statements based on speculation. And that's where the danger lies. Our leader/s, wanting to reduce or remove these crimes thus impose laws and apply them to the masses.
How to build a controlled society:
1. Any man is capable of rape, ergo all men now have to get signed consent forms before each act of sexual intercourse.
2. Any woman is capable of infanticide, ergo all women must now be under twenty-four hour watch during the first however many months and report daily to the local medical clinic.
3. Any person can go to their garage and cook up a batch of drugs or build a bomb, ergo all gardeners now have to provide their drivers licence when they buy fertilizer.
This is already happening. Any person in Australia who needs to buy cold and flu medicine must now provide their drivers licence to the pharmacy, because some people have made speed using these tablets. as a base ingredient. I am totally against this type of control, and it's not because I have anything to hide, but because I have done nothing wrong and I don't intend to do anything wrong.
What makes all of the above examples criminal, is intent. Maybe it's because I write speculative fiction that this type of witch hunt causes me sleepless nights, but I'm fiercely protective of my civil liberties. Intent is what makes any activity a crime.
Why are we rushing towards the society where we punish a person who has not committed a crime, but could?
I do believe terrorism is going to be the platform for all dystopian fiction. Forget about natural disasters or World War III. It's the drip-drip-drip of terrorism attacks that are causing our leaders and us to seek action now. First one law, then another, then another until we don't realize that we're trapped.
The foundations are built already. Fear has driven our leaders and the population at large to the stage where we want actions taken to stop the crime from being committed, and we want it so badly we are overlooking the intent.
I 've written the first book of a dystopian series, and when I write book two, I'll be looking closely at current affairs to set the stage for the fear and oppression the characters have become so used to that they can't see anything wrong with their lives.
This was a longer post than I intended, but I hope you can see how a fictional dystopian society is built. If you're after a unique idea, look around you for inspiration.

Wednesday, 16 August 2017

You've published the book, now what?

In the past few months I've published two novels. One is a 100K science fiction novel, the second book in a series. The other is a 30K novella, also the second in the series. I've sent them off into the world and I need to promote them to get them into the hands of readers. That's a given. Newsletters, blog tours, ads, social media blasts, the list is endless.

Promotion can be hard, it can also be fun. It's a necessary evil and one that we're all trying and tweaking, because what works for one author doesn't work for all.

But there's another step that always stumps me in this "what now?" phase. Writing the next book. Not just the next book in the series, but any book.

One of the hardest things I find about writing is moving on from a completed novel to a blank page. Writing the first draft is different to proofreading the final version, so much has happened to get a book from A to B.  I've drafted, edited, developed characters, developed arcs. Then I've proofread, cover designed, formatted, uploaded, and hit the publish button, in this case on Book 2 of a series, but where to now?

My first dilemma is of course, which book do I start? Do I write Book 3 while the story is fresh in my head? Do I write another horror novella since Halloween is coming and it's good timing? Do I dust off those other manuscripts and work on them for a change of pace?

The second dilemma is going from a polished and perfected piece of work, to writing something that is recognized as being 'meh'. The first draft is not supposed to read brilliantly, and I've just spent weeks reading over a book that reads better than any first draft I'll ever write. It can be a challenge to shift gears and just write the first draft.

It is said that we should edit as we write, and I agree with this methodology. Get the words down in the first draft, and the magic happens in edits. Which is why it's always so difficult for me to move onto writing a new book. The first draft is always a pile of poo.

Here is what I'll do to get me over this hurdle:

Choose a book to write. Looking at my calendar of events, I can get "Danger in the Dirt" the third horror novella in "The Shivers Novellas" series written in time for Halloween so that's the first book. Next, I want to take Book 3 of "Welcome to the Apocalypse" to SupaNova next June. So these are the 2 projects I must work on.

I must also chant daily "Do not start working on that thriller or that romance novel. You have two series to finish."

Write the overview of the book - the plot line, motivation of characters in each chapter, this happens then this happens. I'll plot it out so I can then fill in the blanks.

I'll give myself a word target each day. 500 or a 1,000 or even 2,000 if I have nothing else to do that day. And I'll write until I reach that target. So the aim is to get the story down and not worry about if I'm using my words correctly. The magic happens in edits.

I'll remind myself to have fun. I think that's an important step too many writers are overlooking. They're placing deadlines on themselves and stress to keep up with these deadlines. I'm meant to be enjoying this.

I hope these tips might help you with your writing.

Cheers for now

Wednesday, 2 August 2017

"Welcome to the Apocalypse" is going on a book tour
Drop by your favourite site to win $10 Amazon gift card and
read excerpts and guest posts
Aug 1
The Silver Dagger Scriptorium – GUEST POST "Plants of the Apoclaypse"
Aug 2
Rainy Day Reviews – GUEST POST (DID NOT POST)
Aug 3
Aug 4
Aug 5
Aug 7
Aug 8
Aug 9
Aug 10
Aug 11
Aug 14
Aug 15
Aug 16
Jazzy Book Reviews – GUEST POST "Countdown to the Apocalypse"
Aug 17
Spunky N Sassy (DID NOT POST)
Aug 18
Sapphyria's Book Reviews NOT POSTED YET 
Aug 21
Aug 22
Aug 23
Aug 24
Aug 25
Aug 28
Aug 29
Aug 30
Aug 31
Sept 1

Sunday, 23 July 2017

Calling fans of Koontz and King - short reads to add to your collection

Looking for short reads in #horror this summer/winter.

Great for fans of Dean Koontz and Stephen King.
"Goosebumps" for adults.

Book 1 is 99c at Smashwords till end of July.

Book 2 is 99c on pre-order at Amazon till end of August.

Read these with all the lights on.

From the author:

I have to admit, I grew up reading fairy tales, those wonderfully dark stories about evil witches, enchanted forests, and mean dwarves who stole children. Rumplestiltskin is still my all-time favourite fairy tale. Remember the TV series "Once Upon A time"? I was a fan of the character. R. L Stine's "Goosebumps" books were something I started reading when I was much older, simply because they weren't around when I was a child. But I adore a good ghost story.

So I guess it's not hard to see why I'm writing my very own "Goosebumps" for adults series of horror and supernatural thrillers called "The Shivers Novellas".

Now, "The Shivers Novellas" won't be to everyone's taste, and I understand that. But for those of you who love a good ghost story, this is what they are:

  • Standalone titles that can be read in any order.
  • Each is 30,000 words or 109 pages, so they can be read on the bus or at lunch.
  • This series will suit readers who are strapped for time but don't want to miss out on reading a book.
  • "Poison in the Pond" is the first book in the series and it's been a good seller on Amazon. Now avail on B&N, Kobo, and other online retail sites.
  • All of   these books will be avail in print.
  • "Evil in the Embers" is the second book and it's officially released on August 20.
  • "Danger in the Dirt" is the next in the series and this story will blend the wild-west with a mythological beast.

Evil will be unleashed and it wants revenge.
Jenny Abercrombie returns to Horseshoe Bay after a fifteen year absence to recreate photos from her summers growing up there and to get over a bad breakup. There she meets her summer crush, Troy Dillon, who offers to show her around town. Soon, ghostly images appear in her photos and nightmares plague her sleep. She doesn't know that her presence is awakening ghosts who have secrets to share. And Jenny is the person they want to share them with. When her sister shows up unexpectedly, Jenny is caught in the middle of a ghostly battle for revenge

Exclusive to my VIPs!!!!
Read a sample chapter.
Please note this is unedited and not the final version.

If you like this sample, you might like to pre-order your copy here for 99c (US)

Chapter 1

Fifteen years was a long time to stay away from a place you told your friends stories about. Whenever Jenny Abercrombie spoke of Horseshoe Bay, in her mind she pictured the wind as it whipped the reeds on the lake, seagulls bobbing on the water despite being miles away from the ocean, traffic pulled over at the side of the road to take photos of the mountains.

Even now her mouth watered for the taste of peppermint ice cream with sprinkles from the soda shop, a relic from the past that the townsfolk believed would be their downfall if it were to ever close. It seemed a betrayal somehow that she'd last visited Horseshoe many years? It had to be fifteen.

How much would it have changed? she wondered as she steered her Honda onto the road leading to the picturesque lake town where she'd spent every summer between the ages of four and sixteen.

Whenever she spoke of Horseshoe Bay, she also pictured her father's hands on the wheel of their dark-blue station wagon. For years their mother had sat in the front, while Jenny's older sister, Carrie, had sat in the back, wedged between suitcases packed with items they'd never use. The bags were often just a buffer to stop the girls fighting. Lately, these memories ended with stabbing pains to Jenny's chest. Her parents had divorced bitterly when she was ten, and her father had taken the two girls on his own for the next few years, but it was never the same. For a start, Carrie had taken the front seat, her smile wide like the proud winner at a pie eating contest, and Jenny had sat in the back alone with their suitcases.

The roads had improved. She remembered her father having to dodge pot holes on his way in. Sometimes when Carrie became annoyingly obnoxious, Dad would aim for a pot hole, then he'd wink at Jenny in the rearview mirror and she'd feel ten-feet tall. The sign welcoming her to Horseshoe Bay had had a facelift - gone was the photos of the lonely cabin, now replaced with pictures of fishing and water skiing on the lake. The trees she remembered as being tall enough to take her up to the clouds were ordinary poplars, fully grown and adorned with the bright green foliage of spring.

She pulled over to the side of the road to stare down Main Street. It was familiar, yet as if Mother Nature had never dusted the town and it now sat heavy with a smear. So much could have changed and she wouldn't have known. She felt the stab of betrayal once more as she drove onwards to the Mayflower Inn.

Chance had led her to book this particular inn. Curiosity had led her to discovering that it was operated by Troy Dillon, her childhood summer crush. Hadn't he once told her that he loathed this town and he was getting out first chance? If he had left, it seemed like destiny that he should be here when she finally returned. Three years old than Jenny, he'd be thirty-four by now. What did he look like? she wondered.

As a photographer, Jenny spent a lot of her days picturing things in her mind. Sometimes she wondered why she needed a camera at all. But then she couldn't project her mind onto the page. At first she'd use the camera to mask her shyness. Then she'd come to love it. And she was good enough to earn an income. A small income. One that unfortunately didn't provide enough cash to replace her car. So the advertisement for a photo contest with a car as first prize was enough of a lure to drag her back to Horseshoe Bay.

Jenny conjured up images of Troy Dillon as the tanned, golden-haired sixteen-year-old boy she'd followed every summer like a lost puppy. The awkward, teenage nervousness she'd suffered in puberty was returning. She almost forgot that she needed gas. She pulled into the service station. An amendment to the original location; she remembered it being a little further down the road.

She hesitated before getting out of the car. Pulling a photo album out from her bag, she checked to make sure her memory was working. Yes, the service station used to be further down the road and painted blue. Checking to make sure she wasn't holding up anyone else who wanted gas, she grabbed her camera and got out, then she walked to the sidewalk and stared up and down the road. She snapped a few photos to compare photos she'd taken in her youth to these. Her project was going to be either a series of comparative photos or a single photo of old versus new. She wouldn't be sure which photos she'd enter until she'd spent time studying every detail with the eye of a beauty pageant mom.

She fueled up and headed further into town. Now trepidation and fear began to settle in. Sometimes the past belonged in the past, and to resurrect it might bring on the same disastrous consequences as resurrecting a corpse. Which, she told herself, was the most random thought of the day and belonged in a horror movie.

Sunday, 16 July 2017

Confessions of a self-published author - Part 2

Since becoming a self-published author, I've published three young adult novels (two were published by a small-press publisher but dropped with their entire YA catalogue), two sci-fi books in a series, one horror novella, a short story collection, and two short stories. Planned for release are books three and four in the sci-fi series, and up to twenty more of the horror novellas. These titles have already formed part of the catalogue of my self-publishing career.

But I'm not going to give up trying to secure a traditional publisher. Books that I plan to write and pitch to agents/publishers include a dystopian series, three romance novels I wrote years ago, and a thriller. Even though I'm self-published, picking up a publisher will broaden my audience and provide me with the support of a professional team that'll improve my writing, books sales, and overall career.

So why am I telling you this? Because I have a plan. And because as much as perception plays a large part in a character's story, it plays a large part in a writer's career. What we want and what we get are often two very different things.

Cue Rolling Stones, "You can't always get what you want, but you get what you need."

We authors write the Want versus Need scenario into a character's story arc. So why not our own?
  • What does this writer Want? To write every day and have someone else take care of the promotion.
  •  What does this writer Need? To know the ins and outs of their business.
When I began, I had no idea about author platform, or social media, or website design, or the power of a good cover and blurb. I didn't know that ads can be a huge waste of money nor that they are only one part of a marketing campaign. I didn't know about advanced readers or beta readers or street teams. All I knew what that I loved reading and writing and that's all I wanted to do twenty-four-seven.

Along the way I realized that I'm a control freak. I don't like being a passenger in my career. I need to know what's happening. I need a plan, a backup plan, an outcome, backup outcome. I need to make the decisions. And guess what, a self-published author gets to make ALL THE DECISIONS. And this isn't by choice. It's your circus, your monkeys.

That's perhaps one of the toughest things about self-publishing. YOU have to make all the decisions. If the cover is wrong, it's YOUR fault. If the blurb isn't working, it's YOUR fault. If you chose a matte cover instead of a glossy cover, it's YOUR fault.

You get the picture. When you're a self-published author, you make all the decisions about the book. That includes whether you self-edit, pay an editors, use beta readers, use a writers, group. YOU choose the cover (quite often you get no say in cover design with a publishing house). YOU write the blurb. YOU create the tagline. And the promo...yep, that's all yours, too. Budgeting, writing a plan, creating a Facebook page, Twitter page, yep, they're all yours to decide. The theme for your website. Do you even have a website? You got it. These are all your decisions to make.

The point of this post is to highlight that the decisions are all yours to make, and decision making isn't everyone's strongest skill. But it can be achieved. It used to take me ages to settle on a lampshade in a house. Imagine how hard it is to be the one who chooses the book cover.

Of course, some people are born to make decisions and they'll adapt easily to self-publishing. In fact, they thrive in this environment.

Are you a natural decision maker, or is it something you struggle with? Let me know your thoughts in the comments section and I'll offer some tips that I've learned over the years.

I'll write some further posts on books covers, editing, and promotion, so stick around.

Friday, 7 July 2017

Confessions of a self-published author

I didn't start out a self-published author. I had a dream. Write a novel, get it published, sell millions, retire from reality. It was a good dream. Not that there is anything wrong with self-publishing, but I hadn't a clue how to do it. And when I started out writing, it was either traditionally publish, or vanity publish.

For those who don't know what a vanity publisher is, they take your book with all its structural flaws and typos, they create a cover, they produce this book, and charge you $7,000 for it. But they'll send you 100 or more copies which you've then to distribute yourself. They do not edit the book at all.

This is no lie or exaggeration. Way, way, way back in 1996 when I wrote my first horror novel, Poison in the Pond, I saw an ad in a writers magazine for a publisher, so I sent them my novel and they sent me back a lovely letter telling me that they'd gladly publish it, for $7,000. Back then!! What would the cost be now?

Of course I said no. I didn't have $7,000. So I continued writing and submitting to publishers. I continued learning more about the process of pitching to publishers. I took courses, joined writers groups, attended conventions and seminars. I still didn't want to self-publish. Was it because of a stigma attached to the label? Possibly. Was it because I didn't want to do this because I had no idea what this was? More likely. One does not hop into a helicopter and expect the fly the thing solo. Not if one wants to live and tell the tale.

I wanted a publisher because they had the expertise that I did not. Imagine my delight when I finally landed a small-press publisher for my first book, The Bird with the Broken Wing. I learned a lot during this process.

original book cover, amazing!! courtesy Eithne Ni Anulain
The publisher created an awesome book cover. I was assigned a good editor. The end product is the best I could do at the time. It could do with a little more smoothing out, but overall, it has structure, plot, characters, twists...all the good ingredients of a novel. This publisher accepted my second book, Feedback, and again they created a great cover and I got to work with an awesome editor.

I learned so much with these two books, that when it came to book three, Little Red Gem, and when I couldn't sell it elsewhere, I was confident to self-publish. What I did was create my own book cover, and I edited it myself using structural editing comments provided by an editor. Then the book went to beta readers, and I was happy with the end result.

So I continued writing and pitching, and then one day I received an email that my publisher was dropping all their Young Adult titles. I was without a publisher. I had two choices: shop the books around to another publisher, or publish them myself.

Self-pubbed authors typically belong to social media groups and often ask for advice. There are those in one group who would suggest a reboot in this situation, but at the time, I didn't want to reboot and relaunch, I was already writing another series of books.

I chose to self-publish. (One thing I've learned along the way is that agents and publishers don't like a book that's already been shopped around so this turned out to be the right approach and saved me lots of time I might otherwise have wasted.) At first, I created simple book covers and I got these loaded up to Amazon and Smashwords so I didn't lose all the reviews I'd slaved so hard to get.  Then I sort of left them there because I was writing other books. I didn't really know if I wanted to continue writing young adult fiction. It was incredibly hard to pitch and to sell. So I started writing a dystopian series.

My perceptions of self-publishing had changed through circumstances out of my control. And this was only the beginning. If you're considering self-publishing, maybe this short post has given you some insight. I'll write some more "confessions of a self-published author" posts. Stay tuned.

Saturday, 1 July 2017

Top 10 apocalyptic and post-apocalyptic books, TV shows, and movies

I couldn't have written my sci-fi series "Welcome to the Apocalypse" if I didn't have a mild interest in the end of the world, both during and after. Apocalyptic and post-apocalyptic fiction/movies differ to Dystopian in one aspect - dystopia is typically a world that wants to revert back to an earlier version and this reversion usually involve a revolution. But for all dystopian to exist, there must first come the apocalypse, then the post-apocalypse.

For me, I think the fascination for apocalyptic fiction comes from two things: A) I'm a bit of a misanthropist. When I hear about cruelty in the world, I want humanity to burn for it. Secretly, of course. I don't want to government on my doorstep accusing me of terroristic intentions. And, B) an apocalypse gives consideration to a clean slate. Mankind is being given a second chance and the opportunities to do great things are limited only by our desire to do great things.
To celebrate the release of  "Welcome to the Apocalypse" Book 2, I thought I'd list my top 10 apocalyptic books, TV shows, and movies and anything else (in no particular order).
1. BOOK - Robopocalypse by Daniel H Wilson.
I grabbed this book at K-Mart one day, just a random purchase, and I read it within a few days. It's an easy read, and it's entertaining. The first thing I did after was take it into work and tell a friend that she would just love it' and she did. Then she went out and bought 'Amped" by Daniel H Wilson and we raved about that, too. Just a great read of action and some delightful characters.  
2. MOVIE - The Terminator franchise, directed by James Cameron.
Humans fighting a robot system that they invented, classic end of the world action. Some facts you may not know about The Terminator. James Cameron was living in his car when he pitched the idea. Arnold Schwarzenegger was originally going to play Kyle Reese. Source

3. BOOK - A Canticle for Leibowitz by Walter M Miller. Jnr.
 I started an Amazon discussion group to get recommendations for some great apocalyptic fiction, and this book was the most recommended. So I bought it. I couldn't put it down. And neither the cover nor the title nor the blurb would ordinarily have attracted my eye. Which contradicts everyone we're told as readers and writers to judge. since it's release in 1960, it has never been out of print.
4. TV SHOW - The 100 TV series on Netflix.
 This is just some great candy-TV. It's full of suspense and action. It's an interesting concept that we go up into space to save the human race and when our new home is dying we return to the surface, thinking it's uninhabitable and that we have a claim to it. Will we never learn? And I simply love Bellamy as a character. Bob Morley, who plays him is fantastic. Did you know that he's an Australian actor. I didn't until I researched information on him. Squeal. Now I love him even more. Source
5. BOOK - The Stand by Stephen King.
 While this wasn't my favourite book of King's when I read it initially, it was paramount in forging my love for this genre, and it wasn't until years later that I appreciated the lack of a happily ever after. It left us with an open ending, as it should. It kept my brain ticking over for years.
 6. MOVIE - Planet of the Apes, 1968 version starring Charlton Heston and adapted from Pierre Boulle's novel.
 I remember watching this as a kid and enjoying it, and then that final scene emerged onto the screen and it blew me away. I've been hooked on unpredictable twists ever since. And I try to incorporate them into my books to give readers something unique.
Quote from the movie:
George Taylor: A planet where apes evolved from men? There's got to be an answer.
Dr. Zaius: Don't look for it, Taylor. You may not like what you find. Source.
7. MOVIE - The Omega Man

It was made in 1971, so knock the campiness of it all you want, it is a classic movie. It was movies such as Planet of the Apes, The Omega Man, and Logan's Run which have given me a love of sci-fi, so nostalgic reasons alone, this is one of those movies that must make the list. I'd include Logan's Run on this list, but to me, Logan's Run is pure speculative sci-fi. It doesn't really deal with the apocalypse, just a futuristic world.
8. BOOK & MOVIE - The Hungers Games trilogy
Whilst this series is dystopian, because the trilogy encompasses the oppression and battle for freedom, this book shows some survivalist skills necessary for any apocalypse. I devoured all three books one after the other. What can I say? It deserves the attention and accolades it received.

9. THING - Mankind versus Mother Nature

Pretty much the one thing that all books, TV shows, and movies show us is that mankind are the real monsters in any apocalypse. Without us, there would be plants and animals and no such things as the apocalypse. We are often the cause, but not always. It may be a contagion that causes the end of the world. Or Mother Nature may erupt all the volcanoes. A meteor from outer space might be the cause of our downfall.

Five things every movies gets wrong about the apocalypse is an interesting read. Source
10. THING - Fear from growing up in the 70s

I recall growing up in the 70s, and somewhat in the 80s, when around every corner was the threat of nuclear war. This fear of total annihilation spawned movies and books and an interest in what the effects might be and how we might adapt. So without "fear" there can be no apocalypse to contemplate. We even watched videos in school about the nuclear war that never came.

I hope you liked reading about the top Top 10 apocalyptic and post-apocalyptic books, TV shows, movies, and even things. Am I missing any? What are some of your favourite books and movies?